Premiere Pro Guru: Fixing Video Color and Exposure Problems (2019)

Contents

• Welcome Welcome

  • Fixing color and exposure problems in video with Premiere Pro

    3m 3s
  • What you should know before watching this course

    58s
  • Using the exercise files

    1m 46s
• 1. Evaluating and Adjusting Images 1. Evaluating and Adjusting Images

  • (Locked)
    Set up a color correction workspace

    1m 50s
  • (Locked)
    Using the waveform monitor

    3m 45s
  • (Locked)
    Using the vectorscope

    3m 42s
  • (Locked)
    Using the RGB Parade

    2m 22s
  • (Locked)
    Toggling the Lumetri effect to compare

    2m 7s
  • (Locked)
    Using multiple Lumetri effects to organize adjustments

    3m 29s
  • (Locked)
    Using adjustment layers in Adobe Premiere Pro

    2m 50s
  • (Locked)
    Adding masks to the Lumetri effect

    6m 31s
  • (Locked)
    Using the Comparison View in Adobe Premiere Pro

    2m 42s
  • Matching color and exposure with the Comparison View

    2m 19s
• 2. Making Basic Corrections with the Lumetri Effect 2. Making Basic Corrections with the Lumetri Effect

  • (Locked)
    Applying an input LUT

    2m 59s
  • (Locked)
    Fixing your white balance

    3m 17s
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    Getting a properly toned image

    3m 17s
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    Restoring the correct saturation

    2m 6s
  • (Locked)
    Saving basic corrections as an input LUT

    3m 31s
  • (Locked)
    Applying a Lumetri correction to a master clip

    4m 48s
• 3. Making Creative Corrections with the Lumetri Effect 3. Making Creative Corrections with the Lumetri Effect

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    Applying a creative Look

    3m 28s
  • (Locked)
    Adjusting film qualities

    2m 6s
  • (Locked)
    Sharpening your video

    4m 41s
  • (Locked)
    Adjusting color stylistically

    3m 3s
  • (Locked)
    Split toning for shadows and highlights

    2m 49s
  • (Locked)
    Controlling the vignette effect

    1m 51s
  • (Locked)
    Saving creative corrections as a Look

    2m 15s
• 4. Restoring Color and Tone with Curves and Color Wheels 4. Restoring Color and Tone with Curves and Color Wheels

  • What is a curve?

    2m 58s
  • (Locked)
    Using RGB Curves

    2m 28s
  • (Locked)
    An introduction to Hue Saturation curves

    2m 44s
  • (Locked)
    Working with the Hue vs. Saturation Curve

    1m 24s
  • (Locked)
    Working with the Hue vs. Hue Curve

    1m 19s
  • (Locked)
    Working with the Hue vs. Luma Curve

    1m 36s
  • (Locked)
    Working with the Luma vs. Saturation Curve

    1m 40s
  • (Locked)
    Working with the Saturation vs. Saturation Curve

    1m 48s
  • (Locked)
    Balancing color with color wheels

    1m 55s
• 5. Making Secondary Corrections 5. Making Secondary Corrections

  • (Locked)
    The role of secondary correction

    2m 42s
  • (Locked)
    Creating a selection for secondary correction

    2m 6s
  • (Locked)
    Refining a selection to avoid jitter

    3m 20s
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    Revisiting curves for secondary color correction

    1m 53s
  • Tracking masks for advanced secondary color correction

    2m 22s
• 6. Managing the Lumetri Effects 6. Managing the Lumetri Effects

  • (Locked)
    Copying, pasting, and removing attributes

    1m 50s
  • (Locked)
    Creating presets

    2m 45s
  • (Locked)
    Managing Looks and LUTs

    3m 48s
  • Storing LUTS in a library

    2m 40s
• 7. Other Useful Color and Tone Effects 7. Other Useful Color and Tone Effects

  • (Locked)
    The Levels effect

    2m 47s
  • (Locked)
    Relighting a scene with Lighting effects

    3m 5s
  • (Locked)
    Stabilizing exposure with the Color Stabilizer effect in After Effects

    4m 38s
  • (Locked)
    The Change Color effect and Change to Color effect

    3m 53s
  • Neutralizing color with the CC Color Neutralizer in After Effects

    2m 28s
  • (Locked)
    Adjusting foreground and background with layers and the RotoBrush tool

    10m 10s
• 8. Keyframing Effects 8. Keyframing Effects

  • (Locked)
    When to keyframe an effect

    1m 8s
  • (Locked)
    Adding keyframes

    2m 46s
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    Smoothing keyframe transitions with handles

    2m 37s
• 9. Using Blend Modes to Improve Footage 9. Using Blend Modes to Improve Footage

  • (Locked)
    Fixing overexposed footage

    2m 52s
  • (Locked)
    Fixing underexposed footage

    1m 52s
  • (Locked)
    Adding a stylized vignette or border

    3m 26s
  • (Locked)
    Adding contrast with a black and white effect

    2m 46s
• 10. Working with Raw Video 10. Working with Raw Video

  • (Locked)
    Why shoot Raw video?

    1m 13s
  • (Locked)
    Working with a .R3D file

    4m 31s
• 11. Legalizing for Broadcast 11. Legalizing for Broadcast

  • (Locked)
    Why legalize?

    1m 36s
  • Using the Video Limiter effect

    3m 13s
  • (Locked)
    Applying the limiter when exporting

    1m 41s
• Conclusion Conclusion

  • Next steps

    58s